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The highs and lows of Robyn Nevin's time at STC

November 9: In the wake of Robyn Nevin's decision to stand down from her position as Artistic Director at the Sydney Theatre Company, Troy Dodds looks back at the highs and lows of Robyn Nevin's time with Australia's premier theatre company...

nevin.jpg (37294 bytes)Good times, bad times. She's had them all, and everything inbetween as well. Robyn Nevin's decision to stand down as the Artistic Director of the Sydney Theatre Company certainly stunned and surprised the theatre company, but the announcement of her replacements - Cate Blanchett and Andrew Upton - was indeed a bigger surprise. Robyn Nevin's time at the STC has indeed been a roller coaster ride. Let's look back at some of the highs and lows of Robyn Nevin's time with the STC.

Highlight
The formation of the STC Actor's Company in 2006 was one of Robyn Nevin's big goals and it finally came to fruition this year, partly thanks to funding from the State Government. It's an interesting concept that received wide praise across the media. The initial Actor's Company was: Martin Blum, Brandon Burke, Peter Carroll, Marta Dusseldorp, Eden Falk, John Gaden, Hayley McElhinney, Amber McMahon, Deborah Mailman, Colin Moody, Pamela Rabe and Dan Spielman. It is one of the few acting ensembles employed by a theatre company in the world. The Actor's Company has been a major passion of Robyn Nevin's for some time and she's been clearly pleased with its progress.

Lowlight
When Robyn Nevin took her production of Hedda Gabler to New York earlier this year, critics were less than enthusiastic. Nevin and the company's new Artistic Director, Cate Blanchett, were slammed by one of New York's most respected writers, Charles Isherwood.
Isherwood was questioning the power of celebrity and said he "witnessed Cate Blanchett and the Sydney Theatre Company merrily desecrate Ibsen’s Hedda Gabler before an audience that didn’t seem to notice (or care) that a classic play was being publicly kneecapped". Isherwood suggested the play had essentially only found success because of the pulling power of Blanchett, one of the world’s most popular actors. "Avid theatregoers who have not managed to obtain a ticket shouldn’t lose any sleep," Isherwood said. "What they’re missing is Ibsen transformed into a three-ring circus, with Ms Blanchett presiding in the centre ring, giving a performance that would be merely silly and self-indulgent if it were not also scandalous." Isherwood said a case can be made that "the responsibility for Ms Blanchett’s undisciplined performance here belongs to Ms Nevin and perhaps also to Mr Upton, whose new adaptation is over-explicit and unwisely steeped in a heavy-handed, jarringly contemporary sense of irony".

Highlight
David Williamson has been a Nevin favourite for years, and in 2005 she produced his "farewell play", Influence. The season was a smash hit and a major success for the STC and for Nevin, who had shown faith and loyalty to the country's premier playwright for years. Nevin was very aware of the general public's love of Williamson and always looked at opportunities to work with him. On May 5 last year, we reported: "Sydney Theatre Company today announced that its current production of David Williamson's Influence will this week break the box office record for the Sydney Opera House Drama Theatre, selling over 31,000 tickets to date and taking over $1.5 million at the box office. All but a handful of the 60 performances of Influence have had the "House Full" sign up and the season has already been extended by a week." Influence finished as one of the highest selling shows in STC history.

Lowlight
Nevin's artistic choices in the 2004 season were slammed by many, indeed many called it the worst season under her directorship. Sun Herald theatre columnist gave the "worst show of the year" award to the STC in general for its 2004 season, which became a major talking point. The Unlikely Prospect of Happiness, starring Pia Miranda, received a negative response, as did the new musical The Republic of Myopia. Hedda Gabler was seen as the saving grace of the 2004 season.

Highlight
In 2004, Nevin oversaw the opening of the Sydney Theatre, a new major theatre located near the STC's traditional home at Walsh Bay. STC manage the theatre, and it continues to emerge as a success.

Highlight
Indeed, there's been highlights right to the end. Her involvement in getting Cate Blanchett and Andrew Upton involved in the company has indeed been extremely smart. Nevin says:
“I love these two Australian artists. They are true theatre creatures, each wonderfully gifted, and I am thrilled they will bring these gifts to the Company. I’m looking forward to the year’s handover. I couldn’t be more excited. Lucky Sydney!"